Portret van graaf Hendrik III van Leuven by Pieter de Bailliu

Portret van graaf Hendrik III van Leuven 1623 - 1661

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print, engraving

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baroque

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print

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history-painting

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engraving

Dimensions: height 178 mm, width 120 mm

Copyright: Rijks Museum: Open Domain

Curator: This print, residing here at the Rijksmuseum, is identified as "Portret van graaf Hendrik III van Leuven." It’s estimated to date between 1623 and 1661. Pieter de Bailliu is credited as the artist, working in engraving. Editor: The details! My initial thought is how heavily burdened he seems. Not just by the obvious weight of the armor and that peculiar lion-headed helm, but something in his gaze. Also, look at the exquisite craft of the engravings! The detail in each individual scale of armor... fascinating! Curator: That weight you perceive—it's precisely what interests me. Consider the socio-political function of such a portrait. It’s history-painting—it visualizes and manufactures power. This is about portraying status and dynasty. Look how history and public role get completely enmeshed here. Editor: And speaking of making, that heavy armor underscores manual production in contrast to our own modes. What would it take to create all those individual scales? Was this a new form of industry in that moment? Curator: Undoubtedly! And observe how the printed image itself functions in distribution, solidifying a noble image through the material process of repeated prints. The image serves political ambition through material reproduction. Consider the inscription. Does that impact on the overall social aim? Editor: "Det, cui plura dat Deus." "To him whom God gives more." It echoes the idea of divinely ordained rule—but is it directed at Henry himself, as reassurance, or meant to impress the viewer and reinforce the subject's elevated position in society? Curator: An essential distinction! The question is who and how this portrait functions. Think too about how display affects meaning, as the work migrates into institutional frameworks. Editor: Seeing this from a making perspective gives you insight into cultural production that this man participated in. A man’s identity—made through laborious processes—then multiplied by another to extend his authority. Thanks for these additional dimensions.

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