Dimensions: image: 200 x 163 mm image: 91 x 82 mm
Copyright: © Terry Winters | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This untitled piece is by Terry Winters, currently held in the Tate Collections. Editor: It's quite stark, a visual study perhaps, with that field of scattered marks above and the anatomical rendering below. Curator: The juxtaposition is critical; Winters often pairs seemingly disparate elements to challenge perception. Note the density of marks diminishing upwards; it directs the eye. Editor: The smaller image, with its medical depiction of the shoulder, feels very clinical, almost cold, especially in contrast to the hazier field above it. Curator: Indeed. The contrast invites questions. Is it the body as a site of knowledge? How do systems classify and delineate the human form? Editor: It is a compelling, unsettling dialogue, really. A kind of fragmented exploration. Curator: Precisely, Winters masterfully presents us a deconstruction of seeing and knowing.
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Terry Winters began making prints in 1982 after working as a painter for more than ten years. Engaging in the printmaking process, he found a way to extend his interest in drawing, which already underpinned his painting practice, and further his ideas within a structured method. The many stages of revision and proofing that lead to a final editioned print provided Winters with a vehicle to explore and elaborate ideas in keeping with his preferred method of developing artworks during their making.