Unity (mylar/separation) 1995

Curator: Before us is Louis Delsarte's "Unity (mylar/separation)," housed here at the Harvard Art Museums. Editor: My first impression is its striking contrast. The composition feels both chaotic and carefully considered, almost like controlled randomness. Curator: Delsarte's work often explores themes of identity and community, particularly within the African American experience. This piece, even abstract, seems to suggest interconnectedness. Editor: Exactly! The black ink splatters and geometric shapes create a dynamic tension, while the transparent mylar adds depth, altering our perception of the marks beneath. Curator: The title, "Unity," becomes particularly poignant. Delsarte made this in a world where that concept was severely challenged. Editor: Looking at it this way, I notice how the various elements seem pulled together despite their apparent differences. There is a conversation taking place. Curator: Indeed, it asks us to reflect on the very fabric of our social relations. Editor: It's fascinating to see how such simple materials can evoke such complex ideas.