Briefkaart aan Jan Veth by Jac van Looij

Briefkaart aan Jan Veth 1885 - 1888

drawing, print, paper, ink

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drawing

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print

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paper

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ink

Curator: We are looking at Jac van Looij’s “Briefkaart aan Jan Veth,” a postcard crafted between 1885 and 1888, employing ink on paper. The object provides a fascinating glimpse into artistic correspondence of the late 19th century. Editor: It certainly does, yet my initial impression is of a rather intimate document overwhelmed by bureaucratic stamps. They fight for attention alongside the expressive yet obscured handwritten text, and in doing so, they somehow encapsulate the tension between personal expression and societal structures, especially when considering constraints of the time. Curator: A very relevant point, the postal stamps bear symbols representing Italy, where it was mailed. But on a more symbolic level, a postcard transcends mere communication, it’s a symbol of connection, isn’t it? Think about its relatively diminutive form versus the scope of the ideas that it can express and the intimacy it might embody when addressed to someone very specific like Jan Veth. The act of sending such a message underscores a desire for intimacy across distance. Editor: It's interesting to interpret its physicality as an element of accessibility as the very form becomes democratized due to the use and circulation via the postal system. Also, considering Van Looij wrote "artiste peintre" beneath Veth's name suggests the salutation functioned not just to reach Jan Veth but also the postmen who handled and transported the postcard; therefore the identification subtly signals Van Looij's professional identity. This strategy reveals something important about the precarious place occupied by fin-de-siècle artists in wider society. Curator: Precisely, the interplay of text and bureaucratic signifiers paints a complex picture, layering intentions and adding depth to something that appears initially as a standard piece of correspondence. Editor: In conclusion, it reminds us of the delicate balance between private thoughts and public presentation, personal intent and administrative machinery, especially when identity and vocation are intertwined. Curator: An exquisite demonstration that even the most prosaic forms of communication are ripe for cultural decoding.

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