Untitled XII 18 (relating to Double Image 1982) 1982

Editor: This is Paul Huxley's *Untitled XII 18*, relating to *Double Image 1982*, housed at the Tate. It's striking how the severe geometric forms on the left clash with the pastel chaos on the right. What do you see in this piece? Curator: I see a fascinating tension, not just in the forms, but perhaps a reflection of societal dualities. The "severe geometric forms" could be interpreted as representing rigid structures, perhaps patriarchal norms, while the "pastel chaos" might symbolize the fluidity and disruption of those norms by marginalized voices. How does that strike you? Editor: I hadn't considered that contrast in that way, but I see what you mean. The almost aggressive shapes on the left, set against the softer, layered forms, definitely speaks to conflict. Curator: Precisely. And the dialogue between the two sides isn’t resolved, is it? It's a potent visual representation of the ongoing struggle for equality and recognition. It makes me think about how we can challenge existing power structures. Editor: I'll never look at geometric abstraction the same way again! Curator: Nor will I. It's a reminder that art is never truly "abstract"—it's always embedded in a social and historical context.