Figure of Mary Magdalene by Anonymous

Figure of Mary Magdalene 17th-19th century

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sculpture, ivory

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portrait

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medieval

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stone

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sculpture

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figuration

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sculpture

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ivory

Dimensions 8 1/16 × 3 1/16 × 2 1/2 in. (20.48 × 7.78 × 6.35 cm)

This figure of Mary Magdalene was skillfully carved, most likely by an anonymous European artist, using ivory. Ivory, with its smooth texture and capacity to hold fine detail, was a prized material. The figure has remarkable texture; her hair flows naturally, cascading over her shoulders, and her robes fall in delicate folds. See how the artist has manipulated the material to create a sense of depth and movement. Consider, too, that this object was originally gleaming white, the result of considerable labor. It would have been slowly built up, perhaps using a variety of small tools to achieve the desired level of detail, from the solemn expression on Mary's face to the intricate decorations along the hems of her garments. This piece represents luxury, religious devotion, and the intersection of nature and artifice. It challenges the distinction between craft and fine art, inviting us to appreciate the artistry inherent in its making.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

The province of Goa in western India was under Portuguese control from 1512–1961, forming a nexus in trading routes that circumnavigated the earth. Goan craftsman were renowned for their supple modeling of ivory (likely exported from Mozambique) into Christian icons, which feed the appetite for luxury products in Europe, as well as furthered evangelical missions throughout Asia and the Americas. Within the genre of Indo-Portuguese ivories, popular subjects include ‘Christ as the Good Shepard’ (the image of Christ as child would have related to similar bronze statuettes of the God Krishna) and the ‘Virgin of the Immaculate Conception,’ which shows Mary atop a crescent moon, both of which remain ever-present icons in South Asia’s diverse religious landscape.

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