sculpture, ivory
website interface
3d sculpting
structure
stone
sculpture
sculptural image
unrealistic statue
sculpting
ui concept
sculpture
ivory
statue
Dimensions 5 15/16 × 2 × 15/16 in. (15.08 × 5.08 × 2.38 cm)
This small figure of the Virgin Mary, or Our Lady of Sorrows, is carved from a single piece of wood, probably by a craftsperson working in a religious workshop. Notice the wood grain, which orients us to the maker’s process. The figure has been carefully shaped to align with the grain, making it visually pop, and also making the sculpture more structurally sound. The folds of Mary's garments have been created with a sharp tool, and this gives a beautiful dynamic rhythm to the work. But at the same time, notice that the face is relatively simplified. There's something quite schematic about the rendering. This suggests a workshop setting, where an artisan was making many of these, perhaps for sale to pilgrims or local churchgoers. The degree of handcraft involved makes this a unique object. Considering its intimate scale and devotional nature, it prompts us to consider the relationship between craft, mass production, and individual belief.
Comments
The province of Goa in western India was under Portuguese control from 1512–1961, forming a nexus in trading routes that circumnavigated the earth. Goan craftsman were renowned for their supple modeling of ivory (likely exported from Mozambique) into Christian icons, which feed the appetite for luxury products in Europe, as well as furthered evangelical missions throughout Asia and the Americas. Within the genre of Indo-Portuguese ivories, popular subjects include ‘Christ as the Good Shepard’ (the image of Christ as child would have related to similar bronze statuettes of the God Krishna) and the ‘Virgin of the Immaculate Conception,’ which shows Mary atop a crescent moon, both of which remain ever-present icons in South Asia’s diverse religious landscape.
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