Portret van een staande vrouw met bontsjaal en hoed by Adolphe Zimmermans

Portret van een staande vrouw met bontsjaal en hoed 1884 - 1913

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paper, photography, gelatin-silver-print

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portrait

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paper

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photography

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gelatin-silver-print

Dimensions height 105 mm, width 65 mm

Adolphe Zimmermans captured this woman's likeness with a camera, fixing it on a rectangular card. The fur draped around her shoulders and atop her head isn't merely adornment, but speaks to something deeper. Consider the primal allure of animal skins; they're emblems of protection, warmth, and status, harking back to ancient rites where donning such hides transformed one into the spirit of the animal. This echoes in countless forms across cultures, from shamanic rituals to royal regalia. Think of the bear pelt worn by warriors to invoke strength, or the ermine trimming signifying nobility. Here, the fur creates a boundary, a shield against the world. What unspoken desires and fears are veiled behind this opulent layer? The woman’s controlled gaze hints at the tension between display and concealment, echoing our own dance between vulnerability and power. The cyclical progression of the fur transcends mere fashion, its primal essence resurfacing in each era.

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