Dimensions: Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)
Copyright: Public Domain
Editor: Here we have a print titled "Marie D. Shotwell, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes," dating back to 1890. It feels like a snapshot of idealized beauty from a bygone era. I'm curious about the story this image is trying to tell. What stands out to you as you examine it? Curator: The prevailing feeling that arises from this image stems from cultural memory, instantly sparking an entire era of industrial revolution, commodified leisure, the rise of the "Gibson Girl" beauty ideals, mass media. Cigarette cards functioned as mini-portraits, yes, but also potent advertisements tapping into desires and aspirations. Notice how Marie's gaze, her soft curls, and even the ornamental detail on her bodice aren't accidental. Editor: They feel…staged. Constructed. Almost like symbols of femininity at the time. Curator: Exactly. Everything in that photo acts like a signifier of ideal femininity, meant to captivate. Ask yourself, what qualities do they project to sell these cigarettes? Do they symbolize aspiration, luxury, and perhaps a little rebelliousness that aligns with an emancipated ideal woman? This connection becomes interesting, right? Editor: Very insightful. So, it is more than just an innocent portrait, but rather, an carefully composed image with multi-layered meaning designed to communicate societal ideas about femininity. Curator: Yes! By acknowledging the cultural values being coded, embedded and transmitted, we see the past mirrored back to us through material culture. It reflects aspirations, fears and desires circulating at that moment in history. What did this exercise reveal to you? Editor: It highlighted how an seemingly straightforward image can reveal extensive social-economic systems if we know where to look, inviting us to interrogate assumptions that are always already shaping our views of images, advertising, and portraiture even today.
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