Card Number 252, Beatrice Cameron, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes by W. Duke, Sons & Co.

Card Number 252, Beatrice Cameron, from the Actors and Actresses series (N145-7) issued by Duke Sons & Co. to promote Duke Cigarettes 1880s

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drawing, print, photography, collotype

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portrait

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drawing

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print

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photography

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collotype

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19th century

Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Curator: This is card number 252 from the Actors and Actresses series, a collectible piece issued by W. Duke, Sons & Co. in the 1880s. It features a collotype portrait of Beatrice Cameron and was distributed as promotional material for Duke Cigarettes. Editor: It’s striking how delicate it feels. The sepia tones lend it an air of nostalgia, almost as if we're peeking into a forgotten era. Curator: Precisely! These cards were integral to shaping popular culture, blurring the lines between art, entertainment, and commercial advertising. They provide insight into the social currency of celebrity during the late 19th century. Editor: The fact that tobacco companies used images of women, particularly actresses, raises questions about the targeted marketing strategies of the time and the objectification inherent in the consumption of both cigarettes and the female image. Curator: Absolutely. And note the technique: the collotype printing process allowed for a soft, almost photographic quality, creating a sense of intimacy between the viewer and the depicted actress. These small cards were not only advertisements, they were also affordable keepsakes. Editor: Seeing Beatrice Cameron’s image packaged with cigarettes prompts consideration of her agency, or lack thereof, in this promotional campaign. Was she aware of the impact this imagery might have, especially considering the detrimental effects of tobacco? It is crucial to acknowledge the complexities. Curator: It really makes us think about the ethics of celebrity endorsement, doesn't it? Then, as now, there's an intertwining of commerce and culture, shaping what is seen as desirable and popular. The imagery presented also helped establish certain ideals and the public perception of beauty. Editor: This unassuming little card offers a rich snapshot of the 1880s. It highlights the convergence of theater, advertising, and the burgeoning cult of celebrity—a cultural moment not as far from today as we may imagine. Curator: Examining the ways these images shaped perceptions, and their potential to both reflect and perpetuate biases, underscores the crucial role that historical analysis plays in helping us better understand ourselves. Editor: Indeed. Understanding such representations provides vital groundwork as we strive for a more inclusive society.

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