Gate of Ptolemy Philomeder, B.C. 180, Karnac 1856

Robert Murray created this photograph of the Gate of Ptolemy Philomeder in Karnac around 1880, using a process that was still relatively new at the time. Photography, like many crafts, is a delicate balance of technical skill and artistic vision. The sepia tone of the print speaks to the specific chemistry involved: silver salts on paper, carefully exposed to light, and then developed to bring out the image. This was a labor-intensive process, requiring not only knowledge of the materials but also patience and precision. Murray's choice to document this ancient gate is significant. The monumental stone structure, with its intricate carvings, speaks to the immense labor and skilled craftsmanship of the ancient Egyptians. By capturing it through the relatively new medium of photography, Murray bridges two distinct eras of material culture, inviting us to reflect on the enduring power of human creativity across time. This photograph reminds us that every image, like every object, is a product of specific materials, processes, and social contexts.