Marie Antoinette: The Queen of Fashion: Gallerie des Modes et Costumes Français by Nicolas Dupin

Marie Antoinette: The Queen of Fashion: Gallerie des Modes et Costumes Français 1781

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Dimensions height 275 mm, width 205 mm

Nicolas Dupin’s engraving presents an image from the Galerie des Modes, a fashion plate illustrating the elaborate styles worn by elite women in late 18th-century France. This image captures the opulence of the French court, where fashion was both an art form and a symbol of social status. In the decades before the French Revolution, fashion became intrinsically linked to the monarchy, and to Marie Antoinette in particular. The portrait depicts a noble woman, her hair styled by the Queen’s hairdresser. Enormous wigs adorned with flowers and feathers became a symbol of the decadence of the French aristocracy. Through fashion, women of the court sought to express their identities, but these displays of wealth occurred during a time of growing economic disparity, contributing to the widespread discontent that ultimately fueled the French Revolution. The engraving is a potent reminder of how personal expression can be deeply intertwined with broader social and political realities.

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rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour – lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.

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