Marie Antoinette: The Queen of Fashion: Gallerie des Modes et Costumes Français c. 1787
drawing, coloured-pencil, paper, ink
portrait
drawing
coloured-pencil
pencil sketch
paper
ink
coloured pencil
watercolour illustration
genre-painting
miniature
rococo
Nicolas Dupin created this print, titled *Marie Antoinette: The Queen of Fashion: Gallerie des Modes et Costumes Français*, using etching and engraving. It portrays an aristocratic woman in full court dress, emblematic of the extravagant fashions of the late 18th century. This image is a product of its time, reflecting both the opulence and the social tensions of pre-revolutionary France. Court fashion was not merely about aesthetics; it was a potent symbol of status and power. The elaborate dress, with its wide panniers, luxurious fabrics, and ornate decorations, speaks volumes about the wearer's elite position, while highlighting the vast disparities in wealth and resources that fueled popular discontent. The image invites us to consider the gendered dimensions of courtly life. Women like Marie Antoinette were both celebrated and scrutinized for their fashion choices, which became a lightning rod for criticism of the monarchy. While the Queen may have believed that "fashion is what one wears oneself," her attempts to set trends and express individuality were often interpreted as further evidence of her detachment from the lives of ordinary people. This piece reminds us that even seemingly frivolous aspects of culture can carry significant political weight, especially when tied to issues of identity and representation.
Comments
French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour – lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.
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