Dimensions: height 297 mm, width 216 mm
Copyright: Rijks Museum: Open Domain
Nicolas Dupin created this print, "Marie Antoinette: The Queen of Fashion," in France during a time of immense social stratification and political upheaval. It’s part of a series documenting French fashion, but it also reveals a great deal about the performance of identity and power at the time. The elaborate, almost cartoonish dress, with its wide panniers and floral embellishments, speaks to the excesses of the French aristocracy. One can imagine Marie Antoinette, notorious for her extravagant tastes, embodying this image. Yet, this is more than just a portrait of a queen. It’s a statement about gender, class, and the visual language of privilege. The image invites us to consider how fashion can be both a tool of empowerment and a symbol of detachment from the realities faced by the majority. This print, while seemingly celebrating opulence, can also be seen as a commentary on the socio-economic disparities that ultimately fueled the French Revolution. It asks us to reflect on the emotional impact of such displays of wealth, both then and now.
French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour – lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.
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