Militair roept korporaal, die zijn behoefte doet op straat by Hippolyte Bellangé

Militair roept korporaal, die zijn behoefte doet op straat 1823

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lithograph, watercolor

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portrait

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lithograph

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watercolor

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romanticism

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watercolour illustration

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genre-painting

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watercolor

Dimensions height 353 mm, width 269 mm

Editor: This is Hippolyte Bellangé's "Military Man Calls Corporal, Who Is Relieving Himself in the Street," made in 1823. It's a watercolor lithograph. I'm struck by how unflattering it is, this casual exposure of... well, base needs! What’s your take? Curator: Look closer. What do you see etched into the wall behind the figures? There's a barely visible inscription, "Garde Nat'l Legion". These aren’t just any men; they’re part of the National Guard, citizens pressed into military service. Bellangé, in depicting this, uses the visual language of humor to make a biting social commentary on authority, duty, and human frailty. The symbolism of the unbuttoned corporal certainly invites psychoanalytic reading. Editor: So, the crude act undermines the grand idea of national service? Is the artist ridiculing patriotism itself? Curator: Perhaps. The act of bodily relief, something everyone does, deflates the pomp and circumstance around military service, doesn't it? But think, too, about the history of laughter in art, a subversive force that can challenge norms. It’s like a medieval grotesque grinning from the margins of a solemn manuscript. Consider also the rifle – a tool for national defense, yet seemingly incongruous next to this scene. It's a visual clash, loaded with cultural and psychological tensions. Editor: I didn’t see that inscription initially. Now I notice the man in the window frame as well; it certainly seems more critical now. Curator: The watercolor medium itself adds another layer, a delicate fragility contrasting with the vulgar subject matter. It’s as if Bellangé is saying, “Even serious institutions can be reduced to this… this very human, and somewhat comical, level." So much to consider. Editor: Absolutely. I was too quick to judge on first glance, missing the historical context and the loaded symbolism. It’s more complex and clever than I initially thought. Curator: Indeed. Art often holds layers waiting to be uncovered, demanding a keen eye to see and decode its nuanced symbols.

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