God Judging Adam 1795

Editor: So this is William Blake's *God Judging Adam*. There's no specific date, but it's currently housed at the Tate. I am immediately struck by the somber mood and almost theatrical composition. What do you see when you look at this piece? Curator: The arrangement of figures directs the eye immediately to the divine figure, but note how the artist has used the horse and Adam to create a strong diagonal line which leads to the point of judgement. Editor: That’s a great observation. So, the formal arrangement emphasizes the power dynamic? Curator: Precisely. Consider how the use of light and shadow further reinforces this hierarchy. The stark contrast draws attention to the central figures. What impact do you think the subdued palette has on the overall meaning? Editor: It definitely adds to the feeling of severity. I hadn't considered the use of light in that way, it makes the piece much more impactful. Curator: Indeed. It is through such formal elements that Blake conveys his complex theological ideas.