Dimensions: support: 432 x 535 mm
Copyright: NaN
Editor: This is William Blake's "God Judging Adam." Looking at the watercolor and graphite medium, the figures seem trapped and pained. What do you see in the stark contrast and composition? Curator: Consider the interplay of line and form. Notice how Blake uses strong, sinuous lines to define the figures, creating a sense of dynamic tension. How does the color palette contribute? Editor: The muted colors add to the somber mood, contrasting the fiery chariot with the pale figures. Curator: Precisely. The linear style, combined with the color choices, conveys a sense of judgment and divine power, while trapping Adam under the weight of a new burden. Editor: So the formal elements really reinforce the theme of divine judgment. Curator: Indeed. And reflecting on it, the painting style is quite unique. Thank you!
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This is a hand-finished relief etching, printed on paper from a copper plate. The broken texture visible along the light grey outline of God's right arm was produced as the printing plate was lifted off the paper. Blake's figure of God resembles Urizen, a tyrannical law-maker in Blake's own mythology. God holds his sceptre in his right hand here but, because images are reversed during printing, Blake would have had to show it in God's left hand on the copper printing plate. Gallery label, September 2004
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