Drie metalen monstransen, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen before 1866

Joseph Maes captured this image of three metal monstrances displayed at a religious objects exhibition in Mechelen in 1864. It is important to note that the mid-19th century was a period of intense re-evaluation of European history and national identities. Against this backdrop, the display of religious objects takes on a powerful cultural significance. It served as a reminder of a shared religious heritage, reinforcing the connection between faith and cultural identity in a rapidly changing world. These monstrances, with their intricate designs and precious materials, were potent symbols of religious authority and cultural continuity. How does the act of displaying these sacred objects in a public exhibition change their meaning? While they were originally intended for worship, here, they serve a different purpose: to evoke a shared history and cultural pride. By revisiting the past, exhibitions like this one sought to find meaning and stability in a time of great social and political upheaval.