print, photography, gelatin-silver-print
landscape
photography
gelatin-silver-print
genre-painting
realism
Dimensions: height 122 mm, width 171 mm, height 240 mm, width 298 mm
Copyright: Rijks Museum: Open Domain
Curator: This gelatin-silver print, entitled "Machinewerkplaats," meaning "Machine Workshop" in Dutch, was captured sometime between 1900 and 1910 by an anonymous photographer. Editor: Oh, there’s a beautiful somberness to it. It’s fascinating how the light catches those various machine parts… creating an orchestra of shadow. There is a tangible mood in this photograph of work in the beginning of the 20th century. Curator: Indeed. The photograph offers a rare glimpse inside a workshop of the time. It strikes me that you feel how meticulously constructed the workshop space looks and also that those machines seem very present and are also being documented. They appear nearly as subjects themselves and I can see how much work and ingenuity are woven into these scenes. Editor: Yes, but also those men standing in the middle seem very self-aware. Perhaps it's their gaze, which makes me curious about their stories, the nature of their labour, the items they fabricate in this space and even their clothes. It highlights how our interactions with the work itself transform it as it is used by workers, which is how materials acquire history. The very medium—the gelatin silver print itself—relates directly to the rapid mechanization during that era! Curator: True. It speaks volumes about the artist's vision and how the means of creating such photography must have influenced art creation as well as the life of laborers like those who pose there with pride. The print captures not just an image, but the spirit of a generation caught in an era of technological and social change. Editor: It truly underscores the beauty found in ordinary existence! From materials to method to manpower, this piece leaves a quiet rumination about the very idea of process and change during the early twentieth century... It’s almost a portrait of progress itself.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.