Pagina 119 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.) by J.W. Meyster

Pagina 119 van fotoboek van de Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra (A.V.R.O.S.) c. 1924 - 1925

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photography, gelatin-silver-print

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landscape

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photography

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gelatin-silver-print

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genre-painting

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realism

Dimensions height 240 mm, width 310 mm

Curator: Here we have a photograph, captured around 1924 or 1925, and it’s actually page 119 from a photo book documenting the Algemeene Vereeniging van Rubberplanters ter Oostkust van Sumatra, or A.V.R.O.S. as it was known. It’s a gelatin-silver print. Editor: My initial feeling? Claustrophobia. It's not just the sheer number of people crammed into this factory space, but the low ceiling and repetitive geometric patterns--those beams, those boxes, those rows of workers. Gives me the shivers! Curator: Indeed. It meticulously documents a rubber sorting facility. Note the sharp lines defining the architecture, and how the workers, while central, are almost uniformly arranged, serving as visual components within the larger composition. Editor: Uniformity that smacks of control, right? Like they're part of a machine. It reminds me of those old industrial photos of textile mills. Same somber atmosphere. There's a tension between the seemingly mundane sorting process and this implied weight of labor and colonialism. You almost feel the weight of history bearing down. Curator: Precisely. While presented as an objective record, the photograph's inherent perspective and selective framing undeniably influence its interpretation. It invites considerations of power dynamics. Editor: Absolutely. Art always has layers. It speaks of efficiency, industry, and a human element struggling in that setting. This J.W. Meyster fellow has subtly crafted a slice of history frozen in sepia tones and geometrical order! It's both visually stark and intellectually provocative. It sparks ideas on human cost, labor and the weight of those repeating patterns that haunt you. Curator: Indeed, it speaks to our modern consciousness despite the aesthetic distance of nearly a century. A worthwhile piece to meditate upon, indeed. Editor: One can only hope the rubber went on to make some fantastic tires! Alright, let’s move on, I am getting bad vibes thinking of all these hard labor workers!

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