Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry c. mid 16th century

Curator: Looking at this folio from an Anthology of Poetry, what jumps out at you? It features calligraphy by Mir 'Ali Haravi. Editor: It's just lovely...the balance, the scale—it feels like a secret garden. The figures kneeling and seated; they are deep in thought. Curator: You're right, there's a meditative quality to it. Haravi was a master of Nasta'liq script. Notice how the text seems to float above the figures? Editor: Absolutely, the script almost becomes a character. Calligraphy, as symbolic script, bridges the divine and earthly realms. The placement suggests a connection, a conversation, maybe. Curator: Perhaps it’s the artist’s way of visualizing the power of words, suggesting they are more enduring than any individual. It's a reminder of art's own immortality, I think. Editor: I agree. This piece reminds us that every symbol holds a multitude of meanings, inviting endless interpretations.