Calligraphy by Mir `Ali Haravi with paintings by an unknown artist (recto and verso), folio from an Anthology of Poetry c. mid 16th century

Editor: Here we have a folio from an Anthology of Poetry, featuring calligraphy by Mir ‘Ali Haravi and paintings by an unknown artist. The attention to detail is remarkable. What stands out to you about the production of this piece? Curator: The materiality is key. Think of the labor involved in creating the inks, preparing the paper, and the meticulous process of calligraphy and painting. How does the consumption of poetry within elite circles influence this kind of production? Editor: That’s fascinating. It makes me appreciate the value placed on craftsmanship and artistry in that social context. Curator: Precisely. Examining these elements moves us beyond just admiring the aesthetics. We can consider the networks of patronage and trade that supported this creation. Does this change your initial impression? Editor: Absolutely. Seeing it as a product of its time, shaped by economic and social forces, adds a whole new dimension to my understanding.