The Door, St. Bartholomew's 1909

Charles Frederick William Mielatz made this etching, "The Door, St. Bartholomew's," with ink on paper. The linear quality, and restrained palette of green, red and beige create an intricate facade. Mielatz makes a process out of artmaking, evident in his meticulous mark-making, which is an intimate act. Up close, you can see how each line and dot contributes to the overall texture and depth, creating a sense of tactile engagement. The details above the door draw me in - figures set within the archway, and elaborate carvings, all rendered with great care. These feel like small worlds within the larger world of the artwork, drawing the eye to reflect on the rich history embedded in architecture. Mielatz's print reminds me of Piranesi, an Italian artist, famous for his etchings of buildings in Rome. But where Piranesi's prints are dramatic and imposing, Mielatz's etching feels more intimate, as though inviting a personal connection with the viewer. It is a testament to art's endless capacity for dialogue and discovery, inviting us to bring our own experiences.