Plan et elevation des plus beaux confessionnaux de Paris, tres fidelemant mesure Possibly 1688

Editor: This engraving from around 1688, titled "Plan et elevation des plus beaux confessionnaux de Paris, tres fidelemant mesure" is by Jean Le Blond, and it shows an architectural plan. It is meticulously crafted. The crisp lines and geometric structure create an almost mathematical feel. How would you interpret this work from a formalist perspective? Curator: Well, first we need to look closely at the formal elements. Note the line work, and how its precision dictates form and defines space. The geometry is insistent, isn't it? Notice also the interplay between the elevation and the plan, presented together, almost as separate aesthetic exercises that inform each other. How does the relationship between the cross at the apex and the base below influence your perception? Editor: I see how the cross on top is a very definite focal point but it's almost separate from the detailed geometric work. Does that disconnect mean anything formalistically? Curator: Consider the contrast itself. The strict lines give way to softer curves in the upper portion. This tension introduces a dialogue within the artwork, engaging the viewer to oscillate between the micro and macro levels, from architectural minutiae to overall structure. It embodies, through its form, a fascinating study in artistic contrasts. Editor: So, the artwork then becomes less about confessionals and more about the artistry, contrasts and the relationship between geometric structures? I appreciate your pointing out the smaller artistic features, like the change from strict lines to softer curves. Curator: Precisely. Through observing such nuanced interplay we get closer to decoding what Le Blond sought to achieve. We begin to understand what the artist created when looking at this print and elevation plan from purely an artistic level. Editor: This has been enlightening. It makes me consider details in the form, which I previously had missed. Thanks!