Vijf-en-twintig-jarig Gedenkstuk der Regering van Willem I, door de redactie van het dagblad Den Avondbode (...) [1838] 1838

Editor: This engraving from 1838, "Vijf-en-twintig-jarig Gedenkstuk der Regering van Willem I," by Rombertus Julianus van Arum, feels very formal, almost like a proclamation. The neoclassical border and prominent typography are quite striking. What do you make of this work? Curator: Ah, yes, a commemoration! I find myself wondering about the "Avondbode"—this evening paper—and its role in crafting public image. Look closely: this isn't just celebrating Willem I, it's a performance *of* celebration, designed for public consumption, much like the King’s carefully constructed persona. The artist is basically saying, “Look! Even the press adores him!” Clever, isn’t it, how the imagery amplifies that message through the royal crown and ornate framing? It’s like a stage, really, wouldn’t you agree? Editor: Definitely! It’s like the newspaper is putting on a play. What's interesting to me is how much power the press seems to be wielding here. Curator: Precisely! Think about it: newspapers shaping perception, curating history, back then *and* now. I almost see a self-aware wink—the newspaper reminding everyone of its influence in solidifying Willem I's image, but with a playful, neoclassical charm! Perhaps we are both actors, even you and I... Editor: I hadn't considered that level of self-awareness. I was caught up in the regal aspects. Now, seeing that wink… it makes the piece much more complex, and dare I say it, more interesting? Curator: Precisely! Art often dances between image and reality, reflection and intention. Next time you're leafing through the news, maybe ask yourself, who’s directing the play?