Opening the Storehouse (Kurabiraki), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)" by Torii Kiyonaga

Opening the Storehouse (Kurabiraki), from the illustrated book "Colors of the Triple Dawn (Saishiki mitsu no asa)" c. 1787

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print

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print

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asian-art

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ukiyo-e

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figuration

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genre-painting

Dimensions 25.2 × 38.0 cm

This print, "Opening the Storehouse" by Torii Kiyonaga, captures a New Year scene with symbols of renewal and prosperity. Note the sprig of plum blossoms – a traditional motif signaling the end of winter and the promise of spring, rebirth and new beginnings. I am intrigued by the scroll held by the seated figure. Scrolls, often bearing calligraphy or paintings, weren't mere decorations; they held profound cultural significance. This can be seen in ancient Greek, Roman, and Egyptian cultures, as well as the European Middle Ages. In Edo-period Japan, scrolls embodied knowledge, status, and artistic expression. Displaying and interpreting them was a communal act, inviting viewers to partake in shared cultural and intellectual heritage. The careful unveiling parallels rituals of revelation, engaging collective memory and anticipation. It highlights a psychological yearning for wisdom, continuity, and the renewal of bonds through shared cultural artifacts. These scenes aren't just snapshots; they are cyclical, resurfacing with each generation, reminding us of the enduring human quest for meaning and connection across time.

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