Loentje Onnen met vriendinnen in de tuin van een woonhuis aan de Bothalaan in Hilversum 1912 - 1914
photography, albumen-print
portrait
pictorialism
photography
group-portraits
genre-painting
albumen-print
Dimensions height 240 mm, width 300 mm
Editor: This is a fascinating album page featuring multiple photographs from around 1912 to 1914, titled "Loentje Onnen met vriendinnen in de tuin van een woonhuis aan de Bothalaan in Hilversum," attributed to Carolina (Loentje) Frederika Onnen. The photographs are albumen prints, capturing group portraits and what looks like scenes from daily life. There's an ethereal, almost dreamlike quality to them. What symbols or cultural memories stand out to you as you look at this collection of images? Curator: What strikes me immediately is how Onnen uses photography to not just capture a moment, but to create a sense of timelessness. Notice the composition in each print, how the arrangement of figures hints at underlying social structures and relationships. Consider, too, that a photograph was once seen as an almost magical artifact of duplication and representation. Are they just portraits of specific women, or might the house itself and garden represent something more? Editor: That's a thought-provoking question. Perhaps the garden symbolizes a cultivated, feminine space, contrasting with the structured architecture behind it? It’s fascinating how she uses albumen printing too. How does that medium add to this sense of timelessness? Curator: Exactly! Albumen printing, popular then, imbues the image with a sepia tone and a softness that almost romanticizes the subjects. The tones are consistent throughout. We see through these tonal continuities a persistent symbolic memory. Ask yourself what cultural messages emerge. This particular style carries with it all the psychological weight of nostalgia. It’s more than a snapshot; it’s a constructed image that speaks to cultural ideals and aspirations of that time. What messages do they suggest about friendship, belonging, and perhaps social identity in early 20th-century Dutch society? Editor: That’s given me so much to consider; I now see so many subtle narratives woven into these photographic images. Thank you! Curator: My pleasure! It’s these layers of meaning, captured through symbol and memory, that truly bring such photographs to life.
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