Busted Head 1984

Art Historian:Editor: So, here we have Keith Haring's "Busted Head" from 1984. It’s ink on paper, very graphic with the bold lines, and there's this stark contrast. The image shows two sets of hands that offer a square object. I think its kinda ominous... almost like handing over an IOU of sorts? How do you interpret this work? Art Historian: The power dynamics here are compelling. The “head,” or box, is the focal point, but I immediately question the context. Considering Haring's activism, especially around AIDS awareness and social justice, the “head” could symbolize something far beyond the literal. Perhaps it is symbolic of handing over some dangerous substance... Editor: Mmm interesting, because, that makes me think, is the title sarcastic then, like the transfer may actually harm, bust someone in a literal way... So the object would then stand for physical/brutal exchange of power in this case. Art Historian: Precisely. Haring often used accessible imagery to convey complex sociopolitical messages. The clean lines and pop-art-esque aesthetic make it visually appealing, almost disarming. But within that simplicity lies a critique of institutional power, maybe the exchange itself implies corruption or the sacrifice of the individual within larger systemic structures. Does knowing this change your perception? Editor: Definitely. I was initially focused on the object itself, the unknown “head.” But understanding the sociopolitical context, and who may be offering something and for what, and to whom, completely shifts it. The drawing now feels less like an observation and more like a statement against oppression and potentially corruption. Art Historian: Exactly. And what does this kind of exchange of an object imply within the power and those that lack in power? Editor: It definitely prompts me to dig deeper into the stories behind his art. Thanks!