Narcissus 1991

Editor: Here we have Sean Scully's "Narcissus," its date is unknown, currently held at the Tate. The contrasting blocks and stripes give it a weighty, almost architectural feel. What do you make of its title in relation to the image? Curator: It's interesting that you see architecture. Scully often engages with the socio-political structures that shape our perception. "Narcissus" suggests self-reflection, but these rigid forms could also represent societal constraints. Does the central, differently colored block stand out to you? Editor: Yes, it does! Maybe that's where the "self" is located, distinct from the other blocks. Curator: Perhaps. Or maybe it's a critique of individualism within those structures. Consider how museums and galleries often present a singular narrative, a curated reflection, of what is deemed valuable. Editor: That’s a really interesting point. I hadn't thought about the role of institutions in shaping how we see ourselves reflected in art. Curator: Exactly! The politics of imagery are always at play, even in abstraction.