A Base Tender, from the Talk of the Diamond set (N135) issued by Duke Sons & Co., a branch of the American Tobacco Company 1888
drawing, print
drawing
toned paper
water colours
coloured pencil
underpainting
men
watercolour bleed
watercolour illustration
cartoon carciture
green and neutral
watercolor
warm toned green
Dimensions: Sheet: 2 1/2 × 4 1/8 in. (6.4 × 10.4 cm)
Copyright: Public Domain
Curator: This watercolor lithograph from 1888 is titled "A Base Tender," part of the "Talk of the Diamond" series issued by W. Duke, Sons & Co. It's a curious image, even a bit absurd, but deeply embedded in the visual culture of its time. Editor: My immediate reaction is humor, though of a rather old-fashioned variety. The characters, especially the central figure behind the counter, possess an almost grotesque quality that pulls you in. And baseball… how does it all connect? Curator: These cards, distributed with tobacco products, functioned much like trading cards do today, cementing popular culture, reinforcing values, but also disseminating encoded messages related to identity and power. The exaggerated features border on caricature. Who benefits, and at whose expense? That's what comes to mind. Editor: The central figure, the 'tender,' behind what seems like a general store counter… He evokes the archetype of the corrupt merchant. Consider his exaggerated features, juxtaposed against the baseball player waiting on base to his right. One represents action and athleticism, the other greed and… 'tending' to business. Curator: Precisely. These cards were explicitly aimed at a male audience. The narrative then subtly shifts the discourse on athletic and personal consumption from one of pure individual skill to one rife with questions regarding late-19th-century economic disparities and unchecked commercial growth. Editor: The imagery speaks to broader ideas of masculine performance. Note the visual shorthand for "honest" tobacco displayed prominently, right next to a figure radiating avarice, almost pantomiming deception. Is honest commerce even possible, it makes you wonder, as these spheres—tobacco, sport, consumerism—collided. Curator: Ultimately, even a seemingly lighthearted commercial image such as this operates as a condensed site of social messaging, where sporting ideals intersect with the ever-present undercurrents of capitalism and moral debate of the time period. Editor: The visual vocabulary on display here, though specific to its time, really highlights the emotional and cultural investment humans place into everyday objects and how those are passed on from generation to generation through familiar characters and themes. A tiny vignette reflecting significant complexities.
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