A Natural Mistake, from the Snapshots from "Puck" series (N128) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco by W. Duke, Sons & Co.

A Natural Mistake, from the Snapshots from "Puck" series (N128) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1888

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drawing, coloured-pencil, print, paper

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drawing

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coloured-pencil

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print

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caricature

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paper

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coloured pencil

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watercolour illustration

Dimensions Sheet: 2 1/2 × 4 3/16 in. (6.4 × 10.6 cm)

Editor: Here we have "A Natural Mistake" from 1888, part of the "Snapshots from Puck" series, made with colored pencil and print by W. Duke, Sons & Co. It strikes me as a somewhat satirical commentary on class. What's your take on this, particularly considering its materials and production? Curator: As a product of Duke Sons & Co. to promote tobacco, we must first examine the means of its distribution and the labor involved. It uses mass-produced prints inserted into tobacco products. What statement is the company trying to make by distributing these? Editor: Perhaps they were attempting to associate their product with sophisticated humor or cultural commentary? Curator: Exactly. This piece utilizes caricature to draw attention to class differences through labor. Note the two distinct social strata depicted. Consider the materiality of the card itself - cheap paper, mass-produced - a stark contrast to the lifestyles of the dapper gentlemen it portrays, versus the clear commentary on laborers’ material poverty. Does the contrast between subject matter and mode of production raise any questions for you? Editor: Definitely! It brings attention to the contradictions inherent in capitalist society – the very materials used to depict the elite are made possible by the labor of the working class. It is somewhat ironic, is it not? Curator: Indeed. These tobacco cards functioned as a kind of distributed spectacle, commodifying social critique for mass consumption. And it subtly links " Honest Long Cut Tobacco" to notions of cultural awareness and perhaps superiority among its target audience. Editor: So, by examining the materials and distribution methods, we uncover a deeper commentary about class, labor, and consumer culture. It’s less about aesthetic beauty and more about the socio-economic mechanisms at play. Curator: Precisely! Seeing art through its production and consumption opens up so much!

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