A Hot Ball, from the Talk of the Diamond set (N135) issued by Duke Sons & Co., a branch of the American Tobacco Company by W. Duke, Sons & Co.

A Hot Ball, from the Talk of the Diamond set (N135) issued by Duke Sons & Co., a branch of the American Tobacco Company 1888

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drawing, coloured-pencil, print, ink

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portrait

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drawing

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coloured-pencil

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print

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impressionism

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caricature

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figuration

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ink

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coloured pencil

Dimensions Sheet: 2 1/2 × 4 1/8 in. (6.4 × 10.4 cm)

Curator: So, what jumps out at you initially when you look at this unusual piece? Editor: The immediate impression is... peculiar! It has this strange blend of baseball and pub life depicted with rather exaggerated figures. What can you tell me about it? Curator: This is “A Hot Ball,” a trade card from the “Talk of the Diamond” series produced by W. Duke, Sons & Co., a branch of the American Tobacco Company, in 1888. They used ink and colored pencil, with printing processes, to make these now very delicate artworks. These cards were inserted into cigarette packs. Editor: Fascinating how consumer culture intertwines with artistic expression. The imagery is heavy-handed; each character brimming with meaning, yet playfully composed. Is there a cultural narrative embedded in this piece, beyond the obvious baseball connection? Curator: Definitely. Beyond just baseball, look at the symbolism: the “hot ball,” perhaps representing a winning streak or intense moment in the game, and how it is connected to themes of celebration and indulgence suggested by the bar scene. Sports, drinking, and the leisurely activities became linked through visual marketing, helping shape cultural norms and consumer behaviors of the time. And these types of baseball cards themselves became markers of identity and aspiration, especially with youth culture, with a nostalgic cultural continuity that lasts until our day and age. Editor: The caricature-style amplifies the message—exaggerated features adding layers of social commentary and potentially perpetuating certain stereotypes? It definitely reminds me of similar caricatures of the time in magazines and other ephemera. Curator: Caricature exaggerates and calls attention. The characters embody aspects of turn-of-the-century society; sports figures gaining prominence and popularity with ever new media exposure. This seemingly simple baseball card captures societal dynamics playing out around class, leisure, and national identity. Editor: Considering its origin as a promotional item, its visual impact and underlying meanings reveal so much. From ephemera to cultural document. Curator: Precisely, seeing through layers is very much about recognizing what it reveals about societal priorities during a specific historical moment, from popular entertainment to product branding. Editor: An unexpectedly enlightening intersection of commerce, sport, and culture presented with surprising depth through a humble cigarette card.

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