Groep mensen die in een straat voor een school staan by Geldolph Adriaan Kessler

Groep mensen die in een straat voor een school staan 1903

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photo of handprinted image

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aged paper

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toned paper

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water colours

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muted colour palette

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photo restoration

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coloured pencil

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watercolour bleed

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watercolour illustration

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watercolor

Dimensions height 77 mm, width 156 mm

Curator: This photogravure, created around 1903 by Geldolph Adriaan Kessler, offers a glimpse into daily life. It's called "Groep mensen die in een straat voor een school staan," which translates to "Group of people standing in a street in front of a school." Editor: Immediately, I'm struck by the composition – this enclosed, almost claustrophobic space that focuses the eye entirely on the gathering of figures below. Curator: The sepia tones certainly contribute to that feeling. Considering it's a hand-printed image, we have to think about the labour involved and the economic accessibility of art at the time. Photography was still developing as both a medium and a commodity. Editor: Indeed. And that choice of monochrome, the stark geometry of the buildings pressing down, create a certain emotional atmosphere, perhaps a sense of urban constraint, even a visual premonition about industrialisation's effect. It almost has a dystopian tone. Curator: Possibly. I see it more as an attempt to document and perhaps aestheticize the everyday, the ordinary lives of people in their surroundings. Consider also how photographic printing was rapidly evolving; new methods influenced visual language itself. We’re seeing the intersection of technique and lived experience here. Editor: Precisely. But it is so well done. Notice the linear perspective created by the road guiding the eye to the people, and then rising buildings that meet on top. The composition is impeccable, regardless of social considerations. Curator: It's a powerful blend of artistry and documentation. Kessler allows us a fleeting encounter with people, location and historical context all at once, within a system that increasingly commodifies seeing itself. Editor: Seeing the visual depth and structural intricacies certainly brings fresh dimensions to a relatively simple scene of school kids. Curator: I agree. By viewing art with attention to material reality we broaden understanding on its making and broader value.

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