Untitled 

Editor: Soledad Sevilla’s untitled work, an ink drawing on paper, presents this fascinating juxtaposition of rigid geometric structure with free-flowing strokes. The overall effect is quite serene, yet the bold, wine-colored marks command attention. What do you see in this piece? Curator: I’m immediately struck by the tension between order and chaos, which resonates deeply within the human psyche. The grid, a symbol of control and rationality, is overlaid with these gestural, almost visceral, marks in ink. Don't you find this layering evocative? It's a powerful visual language that suggests the struggle to contain or define raw emotion. Editor: Yes, the layering definitely adds complexity. It reminds me of maps, almost, with a kind of coded landscape. Curator: Precisely! Maps are not just representations of physical space, they embody power, knowledge, and cultural perspective. The geometric foundation serves as the established order, while the bleeding ink might represent disruption, transformation, or the unavoidable erosion of these structures over time. Are these marks wounds, perhaps? Or are they birth pangs? Editor: That's a really interesting thought! Wounds or maybe, like, outbursts from suppressing something. I hadn’t thought about it in that light, it's quite powerful to think of these symbols speaking to our history. Curator: Visual symbols work best precisely when they become a mirror, don't you think? When you project what they can offer you onto their appearance? The enduring power of art is to evoke an individual reading! Editor: Absolutely. I am looking at this piece in a totally new light! Curator: Me too. These dialogues are how cultural memories are shaped, tested and revealed.