Procession, with men riding horses; three men playing trumpets at front, a knight at center, and a gentleman at the rear 16th century

Editor: So, here we have an anonymous 16th-century engraving, “Procession, with men riding horses.” It seems to capture a moment of formal pageantry, with detailed attention given to the riders and their horses. What stands out to you about this piece? Curator: The most compelling aspect is its material reality – the physical act of engraving, the labor involved in producing these lines, and its purpose as a potentially reproducible image for mass consumption, if you will. What kind of cultural statement might it make through such an engraving versus an unique drawing for example? Editor: That’s an interesting point. I hadn’t considered it in terms of labor and production. So, it’s not just the image, but the implications of making it as an engraving that matters? Curator: Precisely. Look at the meticulous detail on the horses’ harnesses. This engraving process makes accessible what was, likely, an event exclusive to the wealthy and powerful, like viewing their display and performance in public. How might that access to information affect perceptions of power, control and governance at that time? Editor: So, by transforming this performance into a print, its effect went beyond just witnessing the event, it gave many people something tangible they could consider? The print *becomes* a means to challenge or cement certain forms of authority or create community that has the means of reflecting on how labor is valued in society. Curator: Exactly. This simple drawing invites viewers to engage in dialogues around governance, art, economics and distribution in the 16th century, and reminds us how material choices speak volumes in any context! Editor: That’s such a great point, I really appreciate this perspective on how materiality is a medium of making social or political change. Curator: Absolutely, art prompts us to ask, to analyze, and to challenge. I'm glad you’re expanding your perspective today, also!