Fishing Under a Pine Tree by Zhao Mengfu

Fishing Under a Pine Tree c. 14th century

color-on-silk, painting, ink

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medieval

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water colours

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color-on-silk

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painting

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asian-art

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landscape

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form

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ink

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coloured pencil

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orientalism

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abstraction

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china

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line

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watercolor

Editor: So here we have "Fishing Under a Pine Tree," created around the 14th century by Zhao Mengfu. It's ink and color on silk, and something about it just breathes tranquility. It's a very compact scene, almost like peering through a porthole. What captures your eye in this piece? Curator: You're right; there's a stillness. For me, it’s the relationship between the human figure and that majestic pine. Notice how the pine's trunk mirrors the fisherman's posture. They're both bending, adapting to the flow of things, the curve of the earth...It speaks to me of a deep connection to nature, of finding peace within its embrace. Don't you think? Editor: Absolutely, there’s definitely a sense of harmony. But I also see a touch of loneliness. That single figure, so small under this giant tree…is that intentional? Curator: Ah, a fellow melancholic! Perhaps. Or maybe it’s a celebration of solitude. In Chinese art, retreating from the world isn’t always about sadness. It can be about seeking wisdom, clarity. This lone fisherman, he's not just catching fish, he's fishing for something deeper within himself. Have you ever felt that urge, to escape the noise? Editor: Definitely! It makes you wonder what he is thinking, if that can be inferred at all. I suppose I hadn't thought about retreat as strength, more as weakness, but it is a clever dichotomy. Thanks so much for opening my eyes. Curator: It was my pleasure! Now go forth and find your own solitary pine tree. Maybe you’ll find some inspiration waiting there, fishing rod or not.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart about 1 year ago

This clearly executed fan painting depicts a solitary scholar fishing in the shade of a large serpentine pine tree along a river bank. The work bears the signature and seals of the artist Zi'ang. Zi'ang is the style name of Zhao Mengfu (1254-1322), a descendent of the first emperor of the Song who rose to high office under Kublai Khan. The signature and seals were added later, however, out of reverence for the famous artist. Zhao was an immensely versatile and accomplished artist, calligrapher, and scholar. He developed a literati style based, in part, on the archaic blue-green landscape tradition that is vaguely referenced in the subject matter and coloration of this anonymous work.

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