A Foundry: Hot Metal has been Poured into a Mould and Inflammable Gas is Rising by Graham Sutherland

A Foundry: Hot Metal has been Poured into a Mould and Inflammable Gas is Rising 1941 - 1942

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Dimensions: support: 918 x 1092 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Graham Sutherland's "A Foundry: Hot Metal has been Poured into a Mould and Inflammable Gas is Rising" presents an intensely evocative scene. Editor: The scale and the use of chiaroscuro create a sense of foreboding, almost theatrical in its drama. Curator: Indeed, the formal composition with these stark vertical elements evokes an almost religious intensity, doesn't it? The yellow flames punctuate the darkness, serving as focal points. Editor: And those flames speak directly to the perilous processes involved in metalwork. The artist highlights the very real labor and risk through his material choices. Curator: His application of paint certainly conveys that sense of heat and danger. The texture itself feels almost combustible. Editor: It's fascinating how Sutherland transforms the mundane act of industrial production into something sublime, while also acknowledging the inherent human cost. Curator: An astute observation, one that makes me appreciate anew the visual and thematic complexity of this painting. Editor: It makes me consider the hands and the labor involved in forging these materials that make up our world.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/sutherland-a-foundry-hot-metal-has-been-poured-into-a-mould-and-inflammable-gas-is-rising-n05739

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tate 1 day ago

Between 1940 and 1945, Sutherland was an Official War Artist. He was almost continually employed on specific projects including, for example, recording bomb damage in London, and depicting tin mines in Cornwall and steel works in Cardiff and Swansea. This picture is one of several works made at the Guest, Keen and Baldwin steel works in Cardiff. Since the emergence of the modern factory system in the late eighteenth century, artists had often associated the fiery and awesome industrial landscape with more traditional visions of hell. Gallery label, September 2004