engraving
portrait
baroque
old engraving style
historical photography
line
academic-art
engraving
Dimensions height 248 mm, width 175 mm
This is a print of Antoine Furetière made in 1687 by Nicolas Habert. Note the oval frame that dominates the composition, tightly enclosing the sitter and text. This shape creates a structured space where the interplay of text and image generates meaning. The inscription around the oval integrates Furetière's name and title, anchoring his identity. Below, a rectangular block contains a Latin quote, framing the portrait within layers of textual interpretation. The contrast between the detailed rendering of Furetière’s face and the stylized lettering highlights the tension between individual representation and formal inscription. Habert, through line and form, constructs not just a likeness but a carefully mediated representation of intellect and status. Consider how this structured arrangement invites us to decode the visual signs, reflecting the period's interest in categorizing knowledge and identity through symbolic systems. The print thus functions as both a portrait and a statement about representation itself.
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