Dimensions: support: 343 x 229 mm
Copyright: © The estate of Kenneth Martin | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Kenneth Martin created this drawing, part of his "Chance and Order" series, in 1971. It's currently part of the Tate Collections. What strikes you about it? Editor: It feels like a diagram of controlled chaos. The rigid grid contrasted with the seemingly random red and black lines suggests a tension between structure and freedom. Curator: Precisely. Martin explored how chance operations could inform abstract compositions. The numbers plotted along the bottom edge guided the placement of lines, a system he devised to introduce unpredictability. Editor: So, the order comes from the grid and numerical sequence, while the chance lies in how he connects the points? I wonder how audiences at the time perceived his blend of art and mathematics. Curator: He wanted to challenge traditional notions of artistic authorship, embracing a degree of relinquishment to outside systems. It's a fascinating interplay between intention and accident, reflecting the spirit of experimentation in the era. Editor: It’s an interesting intersection of control and freedom, the scientific and the artistic. Thanks for the insight. Curator: My pleasure; it offers a unique lens into artistic exploration.