Narrow Blue Circle 1966

Editor: Here we have David Annesley's "Narrow Blue Circle" from 1966, currently residing at the Tate Modern. It’s a metal sculpture, and the title is rather self-explanatory, wouldn’t you say? I’m initially struck by its simplicity—almost like a child's drawing brought to life. It also gives a sense of playful balance. What do you make of it? Curator: You've nailed that child-like wonder. It whispers of balance and possibility. Annesley, see, was part of that wave of British sculptors after the war who threw out the figurative in favor of pure form. They embraced new materials, the vibrant industrial hues, and this work hums with that ethos. Editor: Interesting. It feels very… intentional. But what's the message, beyond the obvious? Curator: Ah, the perennial question! Messages, dear friend, are slippery things. Instead, think of it as an experience. The cool touch of the metal, the emptiness held within the circle's embrace. Annesley wasn't trying to tell you something, rather inviting you to feel. Do you think it succeeds in doing that? Editor: Yes, actually! Now I see it as more than just shapes. Curator: That's the key! Art isn’t just about intellect; it’s about that visceral connection, that little flutter in your chest that says, "Yes, this resonates." It is as a reminder that even the simplest forms can hold profound emotional depth. Editor: So, less "what does it mean" and more "how does it feel?" Thanks; this piece really clicked for me. Curator: Exactly. It’s all about discovering the resonance for yourself.