Titelpagina voor '2eme Partie Fragmens d'Architecture, Sculpture et Peinture; Dans le Style Antique 1820
drawing, print, paper, ink, engraving
drawing
neoclacissism
aged paper
toned paper
allegory
ink paper printed
sketch book
hand drawn type
figuration
paper
personal sketchbook
ink
classicism
line
pen work
sketchbook drawing
storyboard and sketchbook work
academic-art
decorative-art
sketchbook art
engraving
Dimensions height mm, width mm
Pierre-Nicolas Beauvallet created this title page, laden with classical motifs, as an introduction to architectural fragments in the antique style. Note the reclining figure of Apollo, god of music and the arts, at the top. Flanking the title are winged figures reminiscent of ancient victory goddesses. Below, paired lions evoke power and guardianship. The presence of Apollo, often depicted with his lyre, is not simply a nod to classical aesthetics. Consider how the sun god has been resurrected across various epochs – in Renaissance paintings, Baroque sculptures, and even modern film. His recurring image speaks to a deep, subconscious need to connect with ideals of harmony and intellectual enlightenment. These symbols have transformed through time, yet their essence remains potent. The image draws on collective memory, and its symbols serve as a constant, cyclical return to cultural origins.
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