Ornamentaal ontwerp met leeuwen 1874 - 1945

Editor: This is "Ornamentaal ontwerp met leeuwen," an ornamental design with lions, by Carel Adolph Lion Cachet, made sometime between 1874 and 1945, using pencil and drawing. It looks like a study for some kind of larger work, maybe a tapestry or something similar. What grabs me is how the lions are both ferocious and yet strangely decorative. How would you interpret the design of this piece? Curator: This design presents a fascinating study in structure and line. Note the symmetry: the lion motifs are mirrored and repeated to create a balanced framework. Consider, too, how the artist uses the grid to structure the design; the grid becomes a fundamental aspect of its composition. Does this reliance on the grid indicate anything about Cachet's methodology or intentions? Editor: I hadn't really considered the grid. So it's almost like the grid is part of the composition? It's usually underneath, right? I mean, you don't see it in the final work, right? Curator: Indeed. Now, observe the nature of the lines themselves. They are not simply outlines but contain varying weights and densities. Also consider the space that contains them – how does the open space contribute to your interpretation? Editor: I guess it makes me wonder whether those blank sections would be filled in with different colours or textures. Curator: Precisely. This interplay between positive and negative space, line, and potential colour reveals much about Cachet’s formal considerations. Does it tell you something about the relation of function to representation? Editor: Well, looking at this through your lens definitely emphasizes its underlying construction. Thanks for revealing some fresh eyes to me! Curator: A pleasure. Paying attention to the materiality and structure helps decode the artistry and intentions behind a work, whether the artist foregrounds these choices or leaves them hidden.