Dimensions: diameter 3.8 cm, weight 31.38 gr
Copyright: Rijks Museum: Open Domain
Editor: We’re looking at a commemorative medal from 1708 honoring Frederik van Rheede and Johannes van den Bergh, engraved in metal by Martin Schmeltzing. It’s a double portrait on one side and a complex allegorical scene on the other. The sheer density of symbolism and text makes me wonder what the artist was trying to convey. What's your interpretation? Curator: Ah, medals! Tiny historical echoes. This isn't just a pretty portrait; it's Baroque propaganda in miniature! See how Rheede and Bergh are pressed together, almost sharing a head? That togetherness symbolizes their united efforts in liberating Brussels. It’s an interesting question: does the artist highlight or mask the differences between their characters? Editor: I notice the inscription *SERVATA SIC BRABANTIA*, meaning "Thus Brabant is saved”. Does the imagery on the reverse illustrate that saving? Curator: Exactly! That reverse depicts the personification of Constancy and Prudence standing beside a monument. See the inscription *SERVATAE CONSTANTIA ET PRUDENTIA BRUXELLA* beneath? The piece emphasizes these virtues led to the freedom of Brussels. Even the metal itself, usually silver, lends an air of permanence and importance, like a solidified memory. What about it sticks with you? Editor: It's amazing how much history and symbolism is packed into such a small object! Curator: Absolutely, it's like holding a whole story in your hand. And what better reminder of their accomplishment than a durable artwork like a metal engraving? A great opportunity to reflect upon what kind of history the piece is *not* revealing!
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