Frederik van Rheede, baanderheer van Renswoude en Johannes van den Bergh, burgemeester van Leiden, gemachtigden van de Staten, ter ere van hun verdiensten bij de bevrijding van Brussel en het behouden 1708

Editor: We’re looking at a commemorative medal from 1708 honoring Frederik van Rheede and Johannes van den Bergh, engraved in metal by Martin Schmeltzing. It’s a double portrait on one side and a complex allegorical scene on the other. The sheer density of symbolism and text makes me wonder what the artist was trying to convey. What's your interpretation? Curator: Ah, medals! Tiny historical echoes. This isn't just a pretty portrait; it's Baroque propaganda in miniature! See how Rheede and Bergh are pressed together, almost sharing a head? That togetherness symbolizes their united efforts in liberating Brussels. It’s an interesting question: does the artist highlight or mask the differences between their characters? Editor: I notice the inscription *SERVATA SIC BRABANTIA*, meaning "Thus Brabant is saved”. Does the imagery on the reverse illustrate that saving? Curator: Exactly! That reverse depicts the personification of Constancy and Prudence standing beside a monument. See the inscription *SERVATAE CONSTANTIA ET PRUDENTIA BRUXELLA* beneath? The piece emphasizes these virtues led to the freedom of Brussels. Even the metal itself, usually silver, lends an air of permanence and importance, like a solidified memory. What about it sticks with you? Editor: It's amazing how much history and symbolism is packed into such a small object! Curator: Absolutely, it's like holding a whole story in your hand. And what better reminder of their accomplishment than a durable artwork like a metal engraving? A great opportunity to reflect upon what kind of history the piece is *not* revealing!