print, metal, sculpture, engraving
portrait
medal
neoclacissism
metal
sculpture
history-painting
engraving
Dimensions diameter 3.3 cm, weight 12.47 gr
Editor: Here we have a medal from 1773, celebrating "The Entry of William V, Prince of Orange-Nassau, into Leeuwarden," by Theodorus Victor van Berckel. It feels so formal and official. I'm curious about the symbolism they chose to immortalize this event. What do you see in this piece, beyond a portrait and inscription? Curator: I see a powerful assertion of authority, carefully constructed through symbols. The very medium, a metal medal, suggests permanence and importance. Consider the portrait: William's gaze is firm, his bearing noble, meant to evoke leadership and stability. Even his clothing signifies power; do you notice the classical elements incorporated? Editor: Yes, now that you mention it, his attire does look inspired by Roman emperors! It feels like a deliberate attempt to connect him with a lineage of great leaders. Curator: Precisely! And what about the inscription on the reverse? It is in Latin, a language of law and enduring empires. Note the phrases celebrating the joyous reception by the Frisian people; the engraver’s words reinforce the legitimacy and popularity of William's rule. What do you suppose the prominent date signifies? Editor: It really drills down the precise moment being celebrated. I suppose dating events became crucial for record-keeping purposes in the historical accounts of leadership. It shows commitment to this time of historical governance. Curator: Absolutely. Also note that such depictions often gloss over complex socio-political realities, to bolster power for generations to come. Do we see something, or a reality? A question, always. Editor: It is a fascinating peek into how rulers wanted to be seen and remembered, and the powerful impact imagery has! Thank you. Curator: My pleasure. Symbols speak volumes if we know how to listen.
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