Très Parisien, 1926, No. 2, Pl. 3: Modèles des TISSUS D'ART - SURPRISE 1926

Editor: Here we have “Très Parisien, 1926, No. 2, Pl. 3: Modèles des TISSUS D'ART - SURPRISE" by G-P. Joumard, held at the Rijksmuseum. It appears to be a gouache painting. The composition and colours are very much of the Art Deco style. I am intrigued by the juxtaposition of these modern garments and the more classical poses of the figures. What historical context informs our reading of this work? Curator: This image provides a powerful insight into the evolving roles of women during the interwar period, particularly the move away from restrictive clothing and societal expectations. Think about what "Parisian" meant at the time, especially in terms of access and identity. What statements are being made here, by these women, in their attire and attitudes? Editor: It feels like a celebration of newfound freedom, the clothes are less restrictive, embodying this feeling of liberation and modernism. Are we to assume that women from any background or race had access to these liberties? Curator: That's a critical question. While these images project an ideal of liberated womanhood, we must consider who this ideal represents and, more importantly, who it excludes. The "Très Parisien" image likely targeted a specific demographic, namely affluent white women. How does this affect our interpretation of the image's message of liberation? Editor: So, while seemingly celebratory, the image might be promoting an exclusive kind of freedom. It highlights the fashion of the time but perhaps masks underlying societal inequalities. Curator: Precisely. By viewing it through a lens that considers race, class, and access, we start to uncover the complex ways in which visual culture can both reflect and reinforce existing power structures. Do you find this influences the value of the work in your eyes? Editor: Yes, knowing the socio-historical context really deepens its meaning, makes one question the very values on which its creation rests. It is very sobering, but helps me appreciate the multiple layers present in what initially seemed like just a fashion illustration.