Jurk voor een uitknippop by Anonymous

Jurk voor een uitknippop 1825 - 1875

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drawing, print, paper

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portrait

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drawing

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print

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pencil sketch

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figuration

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paper

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pencil drawing

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romanticism

Dimensions: height 175 mm, width 137 mm

Copyright: Rijks Museum: Open Domain

Curator: What a curious object! At first glance, I feel a peculiar sense of longing emanating from this incomplete figure, almost haunting in its deliberate omissions. Editor: Indeed. This is “Jurk voor een uitknippop,” or "Dress for a Paper Doll," believed to have been created by an anonymous artist sometime between 1825 and 1875. It combines drawing and printmaking techniques on paper. The red dye is eye-catching but likely quite humble, speaking volumes about access and class, given the garment's clear aspirations to luxury. Curator: It’s precisely that tension between aspiration and actuality that grabs my attention. The details, particularly the textures rendered through the pencil lines, reveal an interest in craft and process, hinting perhaps at the labor involved in producing such elaborate garments – or perhaps the fantasy. Who was actually crafting the red dye and fabric, and who consumed such luxury goods? Editor: Exactly. Think about the role of fashion in constructing identity during this era. The headless figure and detachable headdress highlight how identity could be manipulated, curated, perhaps even performative for the wealthy class of the day. It's not merely about possessing a dress but projecting a particular image and being part of a specific class narrative. The vacant, unidentifiable expression really implicates the audience in the fantasy. Curator: I wonder about the social implications of such a consumer culture that valued these frivolous objects while exploiting laborers behind the scenes. This object isn't merely aesthetically pleasing. It holds uncomfortable truths about economics, labor, and aspiration. Editor: That tension is definitely at the core of its historical resonance. And considering how fashion imagery is disseminated today through various media, the dialogue started centuries ago by such simple paper artifacts feels surprisingly relevant. What looks fragile embodies such strong messages! Curator: I concur entirely! Its power comes from its understated manner. There are entire industries fueled by such a complicated symbol. Editor: This simple paper dress is not only a product of its time, but also offers lasting insight into social aspirations, means of productions, and identities that echo into our own present.

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