Très Parisien, 1927, No. 10 : -11. Création MARTIAL-ARMAND. Création MARGAINE-LACROIX. / 11. - Manteau (...) 1927

This fashion plate, printed in 1927, captures a slice of Parisian chic. Looking at it, I imagine the artist working with small brushes, carefully filling in the outlines, probably referencing actual garments. It’s all about conveying the look and feel of the fabric – the plushness of the fur trim, the sheen of the satin. I wonder if the artist felt a pressure to keep up with the latest trends or if they relished the opportunity to express their personal taste through these designs. See the vertical stripes on the dress? The way they play with opacity and texture? It reminds me of Sonia Delaunay’s simultaneous designs from the same era, echoing a similar sensibility. I like to think of these artists, even if they never met, engaging in a silent conversation through their work, each pushing the boundaries of visual expression. That’s the beauty of art: it’s an ongoing exchange of ideas, inspiring creativity across time.