The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso) 1624 - 1663

Francesco Allegrini created this small pen and brown ink drawing in the 17th century, capturing the moment of Adam and Eve’s expulsion from Paradise. The artist's choice of materials is crucial here: brown ink, fluidly applied, allows for quick, expressive lines, perfectly suited to exploring the drama of the scene. The starkness of the ink on the paper emphasizes the raw emotion and vulnerability of Adam and Eve. Notice how the thin, wiry lines barely contain the figures, conveying a sense of movement and displacement. The drawing’s small size suggests it was a preparatory sketch, perhaps for a larger painting or engraving. It reflects the labor involved in the creative process, as Allegrini refined his composition and figures through careful study. The contrast between the divine figures, drawn with confident strokes, and the more hesitant lines depicting Adam and Eve, highlights the power dynamic at play. Ultimately, this drawing reminds us that even in the most iconic of biblical scenes, the artist's hand and the materials they choose play a crucial role in shaping our understanding.