Untitled (Documentation of Harvest for Andersen & Co) c. 1939 - 1940
plein-air, photography
17_20th-century
tree
plein-air
landscape
nature
photography
realism
Copyright: Public Domain
Karl Theodor Gremmler made this black and white photograph, documenting a harvest for Andersen & Co. It's fascinating to consider the choice to document something so grounded, so real. I imagine Gremmler, framing the shot, thinking about the labor, the connection to the earth, the cycle of growth and harvest. There’s a person perched precariously on a ladder, reaching into the tree. Are they thinking about anything other than the next apple or pear? And what’s in the basket? Is it already full, or just starting to collect the fruits of their labor? It's interesting to consider the absence of color. It strips away the immediate appeal of the fruit, forcing us to focus on the form, the composition, the stark contrast between light and shadow. In this way, Gremmler transforms a simple act of harvesting into a study of shape, light, and human effort. Each artist builds on the work of those who came before, transforming and reinterpreting ideas across time. Gremmler makes me think about the endless possibilities in the act of seeing and recording our world.
Comments
Karl Theodor Gremmler belonged to the generation that embarked on their careers after the National Socialist accession to power. He specialized in photos of industrial food production. His customers included the biscuit manufacturer Bahlsen, “Kaffee HAG”, and above all the Hochseefischerei- Gesellschaft Hamburg, Andersen & Co. K. G. Gremmler photographed the products’ entire process chain from the harvest or catch to the packaging. The photo book Men at the Net, published in 1939 on his own initiative, is a detailed portrayal of navigation and fishing. With the aid of harsh shadows, oblique perspectives, and views from below, his scenes of workers in heroic poses were meant to convey the progressiveness of the German food industry. The design principles served the purposes of Nazi propaganda, which generously sponsored advertising measures of this kind.
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