Studier af paradisfugl 1864 - 1941

Curator: Niels Larsen Stevns created this drawing, “Studies of Bird of Paradise”, sometime between 1864 and 1941. It’s graphite on paper. Editor: I'm struck by the artist's hand visible in the hurried yet careful lines; the ethereal lightness makes me think about impermanence. Curator: It is interesting that Stevns choose a graphite drawing to capture the image. This points us to his interest in direct and accessible methods, emphasizing form. Graphite as a medium allows the artist to examine shapes in preparation for other, bigger works, in his distinct way. It suggests an accessibility – graphite is affordable and commonplace. Editor: The paradise bird has had multiple, often conflicting, meanings. Its lack of feet in early depictions led to beliefs they were perpetually airborne, symbols of the divine. Stevns' choice to depict it hints perhaps at the tension between the earthly and the ideal, or maybe a fascination with unattainable beauty. Curator: That is so interesting to hear about the imagery; if we follow that line of thought it seems so deliberate when using such raw materials to create the image. Editor: These associations can bleed over in art, often the lack of clarity or information turns the observer inwards towards interpretations that would have to do more with the individual and cultural relationship to such potent symbols. There is clearly symbolism rooted deep here. Curator: I’d be interested to explore whether the artist considered that, what we deem symbolic, by using such a common and mass produced material like graphite? That might offer an insight into the value, and challenge to "high" art, through his material choices. Editor: The contrast does lead to intriguing places...a fascinating piece. Curator: Absolutely, an artwork ripe with potential for investigation, regardless of how you choose to view its construction and impact.